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DANCING WITH TWO LEFT FEET
How Lucky I Am
By Lou Pechi, 2010


Lou Pechi

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When dancing in a circle, everyone is a leader.

Recently I was surfing the Internet and in preparation for our next year's trip to Bulgaria looking for the location of Koprivštica when I came across this July 13, 2009 interesting article about the purpose behind the dance. I couldn't determine who the writer was, so I am unable to give the writer credit. I was going to plagiarize the article and call it my own, but the dancing angel on my right shoulder prevailed over the dancing devil on my left shoulder. With two left feet, I am lucky to have both left and right shoulders. So, I am copying the article in its original version with only some minor grammatical and format changes:

     "What is the purpose behind dancing?
     But what is even more interesting is why do the dancers join hands?
     According to the Bulgarian astrologist Nikolai Radev, the aim of the horo is to duplicate the cosmic law – the circle resembles our solar system. A bagpipe player, who usually stays in the center of the circle, is like the sun. And, like the planets rotating around it, the horo dancers move counterclockwise.
      In the past, when people formed the circle and danced in unison, they tried to achieve a higher vibration and to tune their bodies and minds to nature, thus becoming one with their Lord-Creator. While following the rhythm, they meditated and harmonized to balance their energy as individuals and as a group at the same time.
     Such dancing is found on the Balkan Peninsula in the far southeastern part of Europe; it's uneven rhythms are heard only in the folk music of Bulgaria, Greece, and what used to be Yugoslavia; but it is an inevitable part of every feast on these ancient lands. It reflects the joy and sadness of the local people and their hope of assimilating to nature. This is the horo.
     The horror is a folk dance in which the participants form a circle or a straight line while holding hands. They perform special step patterns – hops, leaps, crossing of the feet, going forward, going backward – which are repeated according to the music accompaniment.
     Not only do the feet take part in the horo, the whole body does – the hands, the torso, and even facial expressions follow the dance rhythms and convey its moods. Sometimes it is quick and buoyant; sometimes slow and sorrowful.
     The horo is unique in its great diversity of beats per measure, varying from 2/4, through the more complicated 5/8, 7/8, 9/16, 11/16, and even reaching 12/16, 13/16, 15/16, etc. Thus, performing the horo is not easy and requires some skills which are often developed in childhood. In Bulgaria, there are clubs for horo training, and professional and amateur ensembles performed this folk dance.
     There are many kinds of horos.
     Pravo horo (straight horo) is considered relatively easy to perform but can lead to a hypnotic state after half an hour of dancing. (A bit of Raki or Rakija greatly accelerates the hypnotic process.)
     Elenino horo is named for the beautiful folkloric maiden, Elena.
     Dunavsko horo is one of the most beloved dances in Bulgaria, performed in city squares, at every wedding, and during national holidays.
     The Bulgarian horo also dates far back in history. Some have dated it to the Thracian tribes of 3,000 BCE. Others believe that the uneven beats were peculiar to the semi–nomadic Proto-Bulgarians.
     Nikolai Radev believes that the horo is the Bulgarian version of Qigong* practice and the nation's traditional Yoga. In his book: "The Ancient Code 681" he expresses hope that its ability to heal, energize, and unite people will be revived again – and that maybe miracles will happen."

While I am not sure about the horo being a version of Quigong, it definitely is some form of physical and mental exercise that definitely heals, energizes, and unites people.

Looking across to the smiling faces of my fellow dancers, I can't but think how lucky I am to be in their circle.


*Quigong (or ch'i kung) is an internal Chinese meditative practice which often uses slow graceful movements and controled breathing techniques to promote the circulation of Qui (ch'i) within the human body, and enhance a practitioner's overall health.


Printed in Folk Dance Scene, "DANCING WITH TWO LEFT FEET (53), March 2010.