Dick Oakes
Status:
Specialty:
Range:
Releases:
Retired
Balkan
Balkan, international
Press Releases
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Dick Oakes grew up in Washington state, where he excelled in trampoline and diving. Dick folk danced a few times at the International Folk Dancers of Richland, his hometown, but it wasn't until several years later, while in the U.S. Navy stationed in San Diego, California, that he really got "hooked." He danced in San Diego at Cabrillo Folk Dancers with Vivian Woll and at the San Diego Folk Dancers, learning styles and teaching techniques from Louis & Nancy Denov, and did his first performing there with John Hancock's Dolina Cigany and Vyts Beliajus' Viltis Dancers.
He received a scholarship to the Santa Barbara Folk Dance Conference. Later that year, he was asked to teach a Federation Workshop in Long Beach, which was the beginning of his folk dance teaching "career." He has also received the Elizabeth Sanders Scholarship, the Gandy Dancers Scholarship, Research and Standardization Committee Scholarship, and the Westwood Co-op Scholarship. He went on to teach Federation Institutes in Long Beach, San Diego, Garden Grove, and Los Angeles.
Following his honorable discharge from the Navy, he moved to Los Angeles, then the major center of folk dancing in the Southland, to join the Gandy Dancers and where he married and fathered a daughter.
Dick taught at many folk dance coffee houses in both Northern and Southern California, such as:
Dick and Vilma Matchette contributed to a show titled "A Decade in Retrospect" for The UCLA Museum of Cultural History in Los Angeles at the Frederick S. Wright Art Gallery, where works from Asia, Europe, The Near East, Africa, North and South America, and Indonesia and Oceania were drawn mostly from museum collections.
Some of the many instructors from whom Dick has learned dances are
He taught a dance conference in Seattle, Washington, at Camp Long called the "Summer Dance Camp" (July 26-31, 1971), teaching along with Sonny Newman, who directed the camp, and Joan Englander.
Along with his friend Alex Wilson, Dick put on two Floating kolo Party sessions in Boulder, Colorado in 1972 and 1973.
Dick completed two national / international teaching tours in 1976 and 1977 through Instructours, which was coordinated by Diki Shields. Dick's unique teaching style, humorous presentation, ability to accurately convey not only the steps but, more importantly, the style of many varied nationalities, and feeling for the learning process, make him a much sought after teacher for camps, workshops, institutes, seminars, and conferences.
The sound movies and stereo slides he took in Bulgaria, Romania, and Yugoslavia are an entertaining source of folkloric research material especially those of the Koprivštica Festival during Bulgaria's 1300th anniversary and Romania's Tismana Festival. Dick's dance notes, maps of various countries, folk dance songs, pronunciation guides, and teaching resources also are helpful tools.
As one of this country's fine folk dance performers, Dick has been seen on television in California, Colorado, and Oklahoma at times directing his own groups for these shows. Dick appeared as a Greek dancer in the Hollywood film for television "Star Maker." He was a member of Anthony Shay's Village Dancers and later a performer with Shay's famed AMAN Folk Ensemble, performing in Croatian, Bulgarian, and Romanian suites.
His list of performing credits includes such groups as
- AMAN (Croatian, Bulgarian, Romanian)
- Betyárok (Hungarian)
- Boulder International Folk Dancers (Macedonian - Dick played the dumbek and tŭpan)
- Dolina Cygany (Polish, Russian, and Serbian)
- Gandy Dancers (Hungarian, Ukrainian, and Scandinavian)
- Gitmek Ensemble (Turkish)
- G.T.E.V. D'Isartaler (Bavarian Schuhplattlers)
- G.T.E.V. D'Oberlandler (Bavarian Schuhplattlers)
- Village Dancers (Persian)
- Viltis Dancers (Lithuanian)
- Westwind International Folk Ensemble - Los Angeles (American Breakdown)
Dick also has choreographed suites for the Hungarian performing group Betyárok and the Gandy Dancers.
His other activities and accomplishments were numerous. Active in a leadership role, Dick hheld office in several folk dance groups, such as Treasurer of Dolina Cigany, Vice President of Westwood Co-op, and Treasurer of the Gandy Dancers, as well as in the Folk Dance Federation of California (South) as President, Director of Extension, Director of Membership, Parliamentarian, and chairperson of several committees, including Costume, Directory, Finance, Nominating, Special Publications, and Standard Operating Procedures. He was active on the Santa Barbara Folk Dance Conference, San Diego State University Folk Dance Conference, and Idylllwild Folk Dance Camp committees, the Beginner Class Committee, the Beginner Festival Committee, the Costume Committee, and the Research and Standardization Committee of the Federation. Dick was the first co-editor of Folk Dance Scene (soon joined by Paul Pritchard), Southern California's folk dance news magazine and was a staff artist for the Viltis Folklore Magazine (he designed a cover page header, some other graphics, and the cover of Vyts Beliajus' Ave Maria titled "Sveika Marija). He was a a part of the management of Veselo Selo coffeehouse with Bora and Marge Gajicki. He also edited the California Folk Dance Directory and the Rocky Mountain Folk Dance Directory. He wrote the chapter on Yugoslavian Folk Dancing in the book from Doubleday, International Folk Dancing U.S.A., compiled by Betty Casey.
Dick organized several folk dance functions and was co-director, with Diki Shields, of the successful Holiday Camp folk dance conference in the San Bernardino mountains of Southern California. (In 1984, Dick and Diki also collaborated by producing the Holiday Weekend of folk dancing in Idyllwild, California.) In addition, he served on judging committees for the Greek Orthodox Youth Folk Dance Festival for the Western Diocese of the Greek Orthodox Church of America. Dick was also elected to the position of Membership Chairman of the Colorado Folk Arts Council, serving with Vyts Beliajus, was on the Advisory Board of the California Traditional Music Society (CTMS), and the advisory board of the AMAN Folk Ensemble. Dick was a contributor to the UCLA Museum of Ethnic Arts Gallery Showing of "The Balkans, Costume and Folk Art." He also was director of the Simi Valley Folk Dancers (Simi Valley, California), the Fort Collins Folk Dancers (Fort Collins, Colorado), and co-directed the Hungarian Ídiom Dancers with Sandy Wodicka.
He has taught in nearly 100 cities in the United States and Canada and taught Balkan dances to hundreds of Chinese folk dancers in Taiwan, and Hong Kong. Among these cities are
ARIZONA
- Phoenix
- Tucson
CALIFORNIA
- Anaheim
- Berkeley
- China Lake
- Claremont
- Conejo Valley
- Crestline
- Hollywood
- Irvine
- Laguna Beach
- Long Beach
- Los Angeles
- Malibu
- Oak Glen
- Oakland
- Ojai
- Palo Alto
- Palm Springs
- Palos Verdes
- Pasadena
- Reseda
- Ridgecrest
- Riverside
- San Bernardino
- San Diego
- San Francisco
- San Jose
- San Luis Obispo
- San Pedro
- Santa Barbara
- Santa Cruz
- Santa Maria
- Santa Monica
- South Bay
- Stockton
- Ventura
- West Los Angeles
- Yucaipa
COLORADO
- Boulder
- Denver
- Durango
- Fort Collins
- Golden
- Pueblo
FLORIDA
- Miami
HAWAII
- Honolulu
INDIANA
- Evansville
IOWA
- Des Moines
KANSAS
- Kansas City
- Lawrence
LOUISIANA
- Baton Rouge
MASSACHUSETTS
- Boston
MARYLAND
- Baltimore
- Columbia
MICHIGAN
- Detroit
MISSOURI
- Kansas City
NEW JERSEY
- Paramus
NEW MEXICO
- Albuquerque
- Los Alamos
- Montezuma
NEW YORK
- Binghamton
- Buffalo
- Manhattan
- New York City
- Queens
OHIO
- Akron
- Cleveland
- Columbus
- Dayton
OKLAHOMA
- Lawrence
- Tulsa
OREGON
- Corvallis
- Eugene
- Portland
TENNESSEE
- Nashville
TEXAS
- Arlington
- Austin
- Comfort
- Dallas
- El Campo
- Houston
- Kernville
- Midlothian
- San Antonio
- Waco
PENNSYLVANIA
- Philadelphia
- Pittsburgh
UTAH
- Salt Lake City
VIRGINIA
- Harrisonburg
- Virginia Beach
WASHINGTON
- Richland
- Seattle
- Tacoma
WEST VIRGINIA
- Wheeling
WYOMING
- Laramie
BRITISH COLUMBIA
- Edmonton
ONTARIO
- Kitchener
- Ottawa
- Toronto
TAIWAN
- Kaoshiung
- Taichung
- Taipei
HONG KONG
- Hong Kong
- Kowloon
Traveling with his wife, Carol, Dick also taught folk dances on one of Rae Tauber's OPA! Folklore Tours through Bulgaria, Romania, and Yugoslavia, and on one of Mel Mann's Dance on the Water cruises to Alaska. Dick and Carol later moved from Southern California to Colorado's front range.
In 2008, Dick donated hundreds of his folk dance records and most of his folk dance notes and books to the Society of Folk Dance Historians in Austin, Texas, founded in 1987 by Ron Houston.
Dick received the National Folk Dance Organization U.S.A. "Preserving Our Heritage Award" for a lifetime of achievement in folk dance and folk arts, and also the San Antonio Folk Dance Festival "National Dance Award" in recognition of contributions to folk dancing in Texas and in the United States, both in 2014. Also, in 2014, he taught a "Dances for All Ages" class at the Stockton Folk Dance Camp.
In 2017, Marshall Cates, outgoing president of the Folk Dance Federation of California, South, Inc., presented Dick with a Service Award "in appreciation of decades of dedication and service."
In 2020, Dick received the Southern California Lifetime Achievement Award at the Laguna Folk Dance Festival for his "significant contribution to the International Folk Dance community."
Dick dropped out of the teaching and dancing scene in the late 1980s after his left knee gave out. He had surgery to replace his left and right knees and resumed teaching again until January of 2019, at which time he hung up his teaching opanci because of severe osteoarthritis in both feet.
In 2021, Dick moved to Maui, Hawaii.
Among Dick's publications and articles are:
- "Chain Dance Positions." By Dick Oakes, self-published.
- "Checklist for Folk Dance Teachers." By Dick Oakes, self-published.
- "Club Organization." By Dick Oakes, self-published.
- "Control in Ukrainian Dance." By Dick Oakes, self-published.
- "Couple Dance Positions." By Dick Oakes, self-published.
- "Folk Dance Bibliography." By Dick Oakes, self-published.
- "Folk Dance Etiquette." By Dick Oakes, self-published.
- "Folk Dance Movement." By Dick Oakes, self-published.
- "Folk Dance Rhythms." By Dick Oakes, self-published.
- "Forms of Dance Notation." Compiled by Dick Oakes, self-published.
- "Hobbies." By Dick Oakes, The Westerner, a publication of the IBM Club, May 1964.
- "Improving Your Club's Business Meeting." By Dick Oakes.
- "Improving Your Folk Dancing." By Dick Oakes.
- "Pronunciation Guides." By Dick Oakes, self-published.
- "Some Hungarian Dance Terms." By Dick Oakes, self-published.
- "Special Characters for International Folk Dance Descriptions." By Dick Oakes, self-published. Characters with Diacritic Marks.
- "Standardized Abbreviations for International Folk Dance Descriptions." By Dick Oakes, self-published.
- "Suggestions for International Folk Dance Programmers." By Dick Oakes, self-published.
- "Teaching Folk Dance: An Overview." By Dick Oakes. Folk Dance Scene. Laurie and Mitch Allen, Editors. Folk Dance Federation of California, South. Pages 2-3, 8.
- "Writing Folk Dance Descriptions." By Dick Oakes, self-published.
- "Yugoslavian Folk Dancing." International Folk Dancing U.S.A. by Betty Casey. Doubleday & Company, Inc.: Garden City, New York. Photograph. (Photos in "Lexicon of Folk Dance Definitions." Pages 309-319.)
Dick's Partial Chronology:
1939 Born.
1949 First introduction to a "folk" dance (Pop! Goes the Weasel), Physical Education Class, Richland, Washington.
1955 First attempt at international folk dancing, Richland, Washington.
1957 First serious folk dancing, San Diego, California.
1958 PerformedVyts Beliajus's Viltis Dancers and John Hancock's Dolina Cygany.
1960 First of several folk dance scholarships received to the Santa Barbara Folk Dance Conference.
1960 First of hundreds of workshops taught in the United States, Canada, and the Orient.
1964 Taught at the opening of The Intersection, the first of many folk dance coffeehouses in Southern California.
1965 First editor of Folk Dance Scene, Southern California's folk dance magazine.
1967 Taught first of many folk dance camps at the Santa Barbara Folk Dance Conference.
1969 Contributor to the UCLA Museum of Ethnic Arts Gallery Showing of "The Balkans, Costume and Folk Art."
1971 Taught the "Summer Dance Camp" in Seattle, Washington with friend and camp director Sonny Newman.
1972 Put on the first "Floating kolo Party" with friend Tink Wilson in Boulder, Colorado.
1972 Elected to the position of Membership Chairman of the Colorado Folk Arts Council, serving with Vyts Beliajus.
1972 Played the dumbek and tûpan for a Boulder International Folk Dancers performance.
1973 Taught at the Lighted Lantern Folk Dance Camp, substituting for Vyts Beliajus (and taught each subsequent camp till it closed).
1976 First of two teaching tours of the United States sponsored by InstrucTours.
1980 Performed with such ensembles as AMAN Folk Ensemble, Betyárok, Gandy Dancers, G.T.E.V. D'Isartaler, and Westwind.
1981 Toured Balkan countries of Bulgaria, Romania, and Yugoslavia on Rae Tauber's Opa! Folklore Tour to the Balkans.
1982 Contributed article on Yugoslav dance to the book International Folk Dancing U.S.A. by Betty Casey.
1983 Founded the International Folk Dance Club (now Empire Grange International Folk Dancing) in Fort Collins, Colorado.
1985 Founded the Simi Valley Folk Dancers in Simi Valley, California.
1986 Member of the first advisory committee of the National Fok Organization U.S.A.
1987 Elected President of the Folk Dance Federation of California, South, Inc.
1988 Elected to the Advisory Board of the California Traditional Music Society (CTMS).
1988 Taught on a Mel Mann's Dance on the Water cruise.
1990 Served on several judging committees for the Greek Orthodox Youth Folk Dance Festival.
2000 Designed and built his personal PhantomRanch.net website, featuring folk dance articles, artwork, dance descriptions, resources, and more.
2002 Designed and built a website for the Folk Dance Federation of California, South, Inc.
2010 Designed and built a website for the Ethnic Express Folkdancing Club of Las Vegas.
2014 Taught the "Dances for All Ages" workshop at Stockton Folk Dance Camp.
2014 Received the National Fok Organization U.S.A. "Preserving Our Heritage Award" for a lifetime of achievement in folk dance and folk arts.
2014 Received the San Antonio Folk Dance Festival "National Dance Award" in recognition of 'contributions to folk dancing'.
2015 Taught the North-South Teachers' Seminar in northern California with Cristian Florescu and Sonia Dion.
2017 Received a "Service Award" in appreciation of 'decades of dedication and service' to the Folk Dance Federation of California, South, Inc.
2018 Designed and built a website for the Society of Folk Dance Historians (SFDH).
2019 Retired from teaching folk dance.
2020 Received the "Southern California Lifetime Achievement" award for his 'significant contribution to the International Folk Dance community' from the Laguna Folk Dance Festival.
Text of the NFO "Preserving Our Heritage Award"
Like many students in the 1950s, Dick was exposed to dance in grade school. He has a funny story about this, that you are welcome to ask him about later... Anyway, he liked it enough to do a bit of international folk dancing in his hometown of Richland, Washington around 1955. He got into dancing more seriously in 1958 while in the United States Navy stationed in San Diego. After leaving the Navy a few years later, he moved to Los Angeles and began to soak up all that Southern California had to offer at that time period: learning from a variety of now-revered teachers. About that time, he, and we, to our benefit, discovered that he was a natural dance teacher. Passionate and hard working, he started to take leadership roles in numerous dance clubs and coffee houses in Southern California at that time, and in several folk dance organizations. He held just about every office available in the Folk Dance Federation of California South. He was the first co-editor of their publication Folk Dance Scene and a staff artist for Viltis. Along with Diki Shields, he directed the Holiday Folk Dance Camp. He also founded several "beginner festivals" an idea still relevant and important to today’s international folk dancers. By the 1970s, the heyday of Recreational International Folk Dance, he was widely respected for his humorous teaching style, that not only accurately conveyed the steps of a dance, but more importantly its style and cultural background. He did two Teaching Tours of the United States (75 cities) and then one in Asia. He had a lucid sense of the learning process and wrote several articles on how to teach folk dance, and on the qualities of a good instructor. He also shared his writings on what makes a good dance program and a welcoming dance group. Over the past twenty or so years, during his temporary retirement from teaching, Dick has channeled a lot of his dedication and energy into the amazing PhantomRanch.net website with pages and pages of pronunciation and costume guides, along with the articles mentioned earlier. What began as a way for Dick to give back and sort through a lifetime of knowledge, has grown into the go-to site for background information on folk dance instructions and instructors, past and present. It has expandedto include the contributions of many other master teachers and fellow dance fanatics. [Most has been transferred to the Folk Dance Federation of California, South, website!] But it’s not all folk dance! Dick “Colorado” Oakes also enjoys viewing B-Westerns and meeting others who do the same. Look on PhantomRanch for his pages on that interest as well as traveling, photography, and artwork. About the website Kathy Molga says, "Never asking for any financial compensation for his years of labor in compiling this information, Dick shared his gifts of planning, organizing, and writing by creating an invaluable resource with a flair for detail. Not looking for accolades, his 'labor of love' has left us with a legacy of research materials for everyone to enjoy for generations to come!" Dick has also contributed many items to the Society of Folk Dance Historians archives. He really has helped Preserve Our Heritage on many different levels. After dealing with two knee replacements and more significantly the death of his beloved wife Carol in 2013, Dick is slowly returning to the folk dance world. We are so happy that he was able to join us here in San Antonio and thrilled to finally give him this award.
Dances that Dick has taught at camps, workshops, seminars, institutes, and conferences include
16-Count Tsamikos, A Ja Zo Šariša, Ais Giorgis, Alunelul ca la Sadova, Alunelul de la Cerna, Ampuieții, Appalachian Big Circle Clog, Apat-Apat, Arkan, Bakmes från Transtrand, Baltă II, Băltăreasca, Bashana Haba'a, Bat Tsurim, Bătrîneasca din Vicov, Bătută, Bavnooro, Bela Rada, Biserka-Bojarka, Brâul lui Ioșca, Brâul lui Zbîrcea, Brâul Oltenesc, Brâul pe Opt, Brâul Românesc, Bre Devojče, Bučimiš, Ca la Ușa Cortului, Čačak, Čarlama, Čerešna, Čerešničky, Čérni Potök, Chindia, Ciganski Orijent, Cimpoi, Ciocârlanul, Cioful de la Vatra Dornei, Cîrligul, Ciuleandra, Cotton-Eyed Joe, Čukaričko Kokonješte, Dabke Ba'albakia, Dajčovo horo, Davoljike Dajke, Denjovo horo, Der Schlederer, Divčibarsko kolo, Dobrudjanska Pandela, Dobrudjanska Rŭka, Dorčolka kolo, Doudlebská Polka, Dramskoto horo, Drmeš iz Zdenčine, Dunda kolo, Dura, Džingurica, El Ginat Egoz, Ententanz, Familijevalsen, Fatiše kolo, Fjäskern, Floricica Oltenească, Gammalhambo, Gammalpolska, Gammalschottis, Gjuševska Râčenica, Glamoć, Ha'eer Beafor, Hambopolska, Hasapiko, Hasaposerviko, Highlife (Pandogo), Hora Boerească, Hora de la Însurăței, Hora de la Medgidia, Hora din Goicesti, Hora Fetelor, Hora Olteneasca, Hora Ploii, Hora Spoitorilor, Învârtita din Luna Turda, Ițele, Jianul, Joc de Leagăne, Joshua, Jovinata, Kačerac, Kalamatianos, Kalendara, Karsilamas, Katerena, Katia, Kiša Pada, Kjustendilska Râčenica, Kokonješte, Kopačka, Kosturskooro, Kriči Kriči Tiček I, Krumovo horo, Kūbilas, La Bastringue, Lach Yerushalayim, Lesnotooro, Ličko kolo, Lipa ma Marýca, Makazice, Makedonikos horos, Malo kolo, Maloj Mome, Maričensko Pravo horo, Mayim, Milanovo kolo, Misirlou, Miteritsa, Mureșanca, NAMA Drmeš Medley, Našlys, Neda Grivne, Niška Banja, Noriu Miego, Novozagorsko horo, Oee Naze, Oh Johnny!, Oláhos, Orlovskaya, Ovčepolskooro, Păhărelul, Pajduška, Palóc Csárdás II, Pandalaš, Pasarelska, Pentozali (Two-Figure), Pentozali (Six-Figure), Pidichtos Tsamikos, Pinosavka, Pinosavka II, Piperana, Plovdivska Râčenica, Pokupski Plesovi, Politiko Syrto, Polka Wengierka, Pongauer Waltzer, Pookie, Pop Goes the Weasel, Posavski Drmeš I, Pravo horo, Prekid kolo, Preplet, Prorupta, Râčenica, Radomirsko horo, Reit im Winkl Schuhplattler, Roata din Bihor, Robin Ddiog, Rokoko kolo, Rørospols, Rustemul, Sandansko horo, Sarajevka, Sârba pe Bătaie, Sârba pe Loc, Savila se Bela Loza, Sedi Donka, Šestorka iz Bela Palanka, Šetnja, Sev Acherov Aghcheek, Šilovačko, Sitna Zborenka, Skudrinka, Skuizkâ Râčenica, Slängpolska från Skåne, Slavjanka, Snoa, Sojanca, Šokuc, Sønderhoning, Šopsko horo, Srbijanka, Staro Planinsko, Staro Ratarsko, Strandžansko horo, Strumička Petorka, Sukačica, Suktinis, Svrljiški Čačak, Syrtaki, Syrtos, Széki-Lassú, Szökkenós, Talima, Țărăncuța, Țărînă de la Abrud, Teškooro, Tetovskooro, Texas Star, Tin Tin, Tokyo Dontaku, To Ting, Trŭgnala Rumjana, Trakijska Râčenica, Trava Trava, Trei Păzește din Bîrca, Tresenica, Trite Pâti, Trojanac, Tsamikos, U Šest Koraka, Vari Hasapiko, Vėdaras, Vetter Michel, Virginia Reel, Vlaškooro, Vossarull, Vranjanka, Vranjsko kolo, Vrni se Vrni, Western Trio Mixer, Wrth Fynd Hefo Deio i Dydyn, Yehoshua, Žabarka, Zaječarka, Zajko Kokorajko, Zdroboleanca, Zeybekiko, Žiogelis, Zizaj Nane, Zonaradikos, and 22 Zwiefachers.
SELECTED PHOTOGRAPHS
ADVERTISING AND FLYERS (Many are Dick's artwork)
SYLLABI COVERS (These are Dick's artwork)
FOLK DANCE CAFE FLYERS AND ADVERTISING (Most of these are Dick's artwork)
FOLK DANCE SCENE
NORTHWEST FOLKDANCER
MISCELLANEOUS